Famous Japanese lighting designers face the feelings of work
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Because lighting design is not only the consumables of the surface level of the times, but the basis of the diversified “light culture†of various places on the earth, how can we further develop the lighting designers? This is the question I have been asking myself since I decided to become a lighting designer in 1978.
In my eyes, the behavior of lighting design is becoming more and more rash and “crisisâ€. It seems to be thrown away like a cheap seasonal product. Nowadays, many lighting designers are competing in the fast-growing Shanghai, and the result is that Shanghai's streets have become the “trash of light†that is not manipulated. Also, once we have mastered the LED light source that can freely choose the color of light, All the streets have become places where the use of colored light is used. This is a very "crisis" thing!
However, lighting design is essentially a work related to the cultural life created by human intelligence!
Nevertheless, on the contrary, we have to admit that we are like a group of creatures in the bubble of change in the times. The mission and role of lighting designers are also sensitive to change with the times. In the early days of lighting design, it required to make the function of life upwards, and the result was an efficient, bright city and bright family life. However, this “bright†energy consumption is now accused of “the evil of societyâ€, and the question of excessively bright is flooding in, and the lighting design has ushered in an era in which quality is better than quantity. Designing a happy, comfortable life within a limited energy range is a trend in modern lighting design. I also put the phrase "not just the 'light' design but the more attention to the 'shadow' design." At the beginning of the 21st century, there was no doubt about the statement that "comfort is the central keyword of lighting design." What is the "light design" for a comfortable life? This is a factor that is now considered comprehensively. However, as we look further into the later era, we can see that even the keywords "functionality" and "comfort" will be refreshed. The lighting of the new era is not only to stay in the behavior of lighting, but to become free to fly into space with self-illuminating materials and objects.
Due to technological advances, people can avoid the lack of freedom in electrical energy. Lighting designers can directly create things with life value and have a direct impact on people's inner world. Lighting design should not only be for brightly seeing objects, but also for expressing all the scenery in the field of vision. Light should directly affect the inner world of human beings. It should be deeper than a painting to make people The inner sadness is healed, and more emphasis is placed on moderate excitement and fighting the physical and mental illness. In order to respond to diverse values ​​of the times, the roles and achievements required by lighting designers will continue to evolve as the times change.
Our lighting designers have to be both sociologists, scientists and artists. This is the first answer to the above self-question. Lighting design has different requirements for each branch of sociology, science, and art. The design that is lacking in which branch is required will have a “crisisâ€. That is to say, design that ignores social requirements and economic principles cannot be established; but if it only advocates its social requirements and economic principles, interesting and beautiful lighting design may not be available. And in many occasions of design, although the scientific basis derived from many scientific investigations has to be used to convince the owners, there are also cases in which the results of the project can be very impressive if the reason is not sufficient. Moreover, many of the design results are obtained by the designer based on his accumulated artistic feelings. However, because the work obtained by feeling alone is not stable, there are many things that do not do well because of poor management of the interpersonal relationship and policies of the design. It is precisely because of this that in the world of lighting design, in order to give the society an enlightenment, to give people a shock, the balance of interest and accomplishment in social-science-art is indispensable. This is better reflected in the design process and methodology described below.
I often send out the call “Design for the society.†The designer is not a practitioner who lives alone in a tent and has no connection with the struggle. In many occasions, design is the result of various cooperations. There are many compromises in the middle, and things that don’t have their own personalities have to exist. That is to say, design is an act based on the social phenomenon and the mechanics of economism, and it also requires designers to observe them deeply. The social and economic requirements are flexibly matched. However, since it can also be said that "the origin of design is a criticism of society", the ability to sharply and indignantly criticize current social problems and to analyze the reasons for dissatisfaction is also the design. It is a bit too much to say that this kind of emotion that is angry with social issues is also necessary for lighting designers, because this spirit of dissatisfaction has undoubtedly become the driving force for the formation of the next good design. Therefore, it is often necessary Criticize social issues. Although I am very affectionate about the place where I raised my life in Tokyo, I have a lot of feelings about it. I don’t feel the life culture, the unified white, bright residential lighting, the vulgar commercialism-led convenience store and the gas station’s crazy light environment are very indignant. I am now writing the article on the banks of the Sumida River, bare mercury lights Streetlights are the best example of synonymous with “light damage.†This is also due to the ignorance of public institutions. I am convinced that the spirit of in-depth criticism of nearby social issues is the first step in lighting design.
Paying attention to the scientific point of view, in other words, is “designing for theory. 1. Because lighting design is often based on feelings and is result-oriented, the language of its description is also lacking in concreteness and abstraction.
Therefore, I am largely annoyed with the abstraction of design. Because I don't know why I feel that light is better... I sometimes have this interesting answer. I don't like that kind of light... The owner's words, any persuasive words become useless. I decided that the final lighting design process is: I always put "Why is this design method the most appropriate?" How to answer this question in mind, and repeatedly ask yourself "why?", if you can answer it well It is qualified. Although there are also things in the form of literary expressions that reflect the design of lighting design, the specific combination implementation is rational, and scientific-based arguments are very important. Of course, the scientific and technological advancement of lighting is very dazzling. Sometimes, as long as the latest lighting optics with new light sources are displayed, consumer lighting design is established. Despite this, it is also dangerous to merely express the novelty of technology. Lighting design is an act that combines science and technology into the living environment. We must correctly evaluate a large number of science and technology, and in the meantime there must be the courage to innovate life itself.
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